Why Do My Film Photos Have Strange Colours?
Green shadows, blue casts, orange highlights and unexpected colour shifts can come from lighting, film type, exposure, age, development or scan interpretation.
Read articleBerlin Photo Studio Journal
Practical film photography guides, lab knowledge and clear answers about exposure, development, scanning, negatives and common mistakes.
98 articles
Green shadows, blue casts, orange highlights and unexpected colour shifts can come from lighting, film type, exposure, age, development or scan interpretation.
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Dark spots, fibres and lines in film scans do not all come from the same source. Learn how to distinguish removable dust from hair, scratches and emulsion damage.
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Lines across film scans may come from scratches, dust, scanner artefacts, stress marks or development problems. The negative reveals which one you are seeing.
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A flat film scan is often a neutral starting point rather than a failed result. Learn how negative density, scanner profiles and editing choices shape contrast.
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Film grain becomes more visible with high-ISO film, underexposure, push processing, strong scan corrections and large enlargements. Learn to identify the real cause.
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Missing film frames usually come from blank exposures, shutter faults, winding problems or extreme underexposure. The negative strip shows which explanation fits.
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A 36-exposure roll does not always produce 36 usable scans. Learn how loading, winding, rewinding, blank frames and camera faults affect the final number.
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Use frame spacing, edge markings, negative density and repeated patterns to distinguish camera faults from film-development or scanning problems.
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Identify common film development marks including streaks, surge marks, drying residue, bubbles, uneven density and chemical contamination.
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Understand wrong ISO settings, how they change exposure, when push or pull development matters, and what to tell the film lab.
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Learn why film frames overlap, how transport and winding faults appear on negatives, and why development cannot create or repair frame spacing.
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Learn how age, heat and storage change expired film, what fog and colour shifts look like, and why box date alone cannot predict results.
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Identify scratches on film negatives, distinguish emulsion damage from scanner dust, and trace repeating lines to cameras, cassettes or handling.
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Understand how airport X-ray and CT scanners can fog photographic film, which films face greater risk, and how to travel with unprocessed rolls.
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Learn how film light leaks look, what red, orange or white streaks can mean, and how to trace the fault to the camera back, seals or cassette.
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Compare overexposed and underexposed film using negative density, scan appearance, shadow detail and highlight detail.
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Learn how underexposed film looks on the negative and in scans, what causes thin negatives, and when rescanning or push development can help.
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Kodak VERITA 200D is made for people who want images with character. It is a daylight-balanced cinema film with ISO 200 sensitivity, warm skin tones, deep blacks, saturated...
Read articleBerlin Photo Studio Film Lab
C-41, ECN-2, B&W and E-6 development with transparent options and professional scans in Berlin.