Choose JPEG for sharing, normal editing and convenient storage. Choose TIFF when you need a larger master file for deeper colour work, restoration or demanding print production.
The format does not change what the negative recorded. It changes how much scan data is retained and how efficiently the file is stored.
The practical answer
A well-made JPEG is enough for many photographers. TIFF is valuable when the file will be pushed harder or preserved as an archival master.
What to consider
- Editing intensity
- Storage and transfer size
- Print dimensions
- Archive strategy
- Software compatibility
- Need for a master and derivative copies
Berlin Photo Studio approach
Our scan options are designed around real output needs rather than treating the largest file as automatically necessary for everyone.
What to do next
Order the file type that matches the final use, not simply the one with the largest size.
Frequently asked questions
Is this suitable for beginners?
Yes. You do not need technical laboratory knowledge before bringing or mailing a roll. Clear notes about the film and how it was exposed are enough.
Should I keep the negatives?
Yes. The negative is the physical original and allows future rescanning, printing and diagnosis.
Can mistakes be corrected after development?
Scanning can reinterpret information that exists, but development cannot be repeated and missing exposure cannot be created afterwards.
Where can I learn more?
Start with our Develop & Scan Your First Film Roll guide and the Film Development Guide.
Read the full Film Scanning Berlin guide.
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