Daylight Film vs Tungsten Film
Daylight film expects daylight-like colour; tungsten film expects warmer artificial light around traditional studio-lamp colour temperature.
Read articleBerlin Photo Studio Journal
Practical film photography guides, lab knowledge and clear answers about exposure, development, scanning, negatives and common mistakes.
10 articles
Daylight film expects daylight-like colour; tungsten film expects warmer artificial light around traditional studio-lamp colour temperature.
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C-41 and ECN-2 are different film-and-chemistry systems even when both produce colour negatives.
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Colour and black-and-white film ask different questions: one records colour relationships, while the other reduces the scene to tone and form.
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Street photography benefits from a film fast enough to protect shutter speed while moving between sun, shade and public transport.
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Portrait film should match the available light and the emotional character of the subject rather than following one universal favourite.
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Night photography requires enough real exposure through film speed, lens aperture, shutter time, flash or a tripod.
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Bright summer light gives slow films room to produce fine grain and saturated detail, but travel conditions can still change quickly.
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Cloudy weather produces soft light but lower brightness, so film speed and shadow exposure become more important.
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The best first film is one that matches your camera, available light and local development options rather than the most fashionable stock.
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Film ISO changes how much light you need and influences grain, contrast and the situations in which a roll is easiest to use.
Read articleBerlin Photo Studio Film Lab
C-41, ECN-2, B&W and E-6 development with transparent options and professional scans in Berlin.