Polaroid SX-70 vs 600 vs i-Type vs Go: Which Film Do You Need?
SX-70 is for most folding SX-70 cameras, 600 for battery-powered vintage 600 cameras, i-Type for modern rechargeable cameras, and Go only for Polaroid Go.
Read articleBerlin Photo Studio Journal
Practical film photography guides, lab knowledge and clear answers about exposure, development, scanning, negatives and common mistakes.
115 articles
SX-70 is for most folding SX-70 cameras, 600 for battery-powered vintage 600 cameras, i-Type for modern rechargeable cameras, and Go only for Polaroid Go.
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Go inside Berlin Photo Studio and see how we identify, hand-process, wash, dry, inspect and prepare black-and-white film in Berlin.
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Learn what happens in a black-and-white film development workshop in Berlin, from loading reels and mixing chemistry to scanning negatives.
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A tested vintage camera should have a clear description of the exact unit, its functions, cosmetic condition and known limitations.
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A shutter click alone does not prove a film camera works throughout a complete roll.
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Point-and-shoot cameras prioritise portability and speed; SLR cameras offer lens choice and direct control.
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A used camera should be judged by function, repairability and suitability—not only by appearance or brand.
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Compare point-and-shoot, autofocus SLR, manual SLR and rangefinder cameras, then learn what to test before buying your first 35mm film camera.
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Archive-scanning prices vary because a labelled box of clean 35mm strips is different from thousands of mixed and damaged negatives.
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A durable photo archive separates high-quality master files from smaller copies used for sharing and everyday access.
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Old negatives can be permanently damaged by fingerprints, aggressive cleaning, mould transfer and unsuitable plastic sleeves.
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Film format, perforations, frame dimensions and edge markings can reveal how an unknown negative was made.
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A family-negative archive becomes manageable when you preserve existing order, group formats and create simple identifiers before scanning.
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Developing before flying can protect film from another CT or X-ray scan, but it depends on time, laboratory availability and how negatives will travel.
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Normal postal transport is usually safe, but poor packaging, moisture, heat and loss can damage film or separate it from the order.
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Good packaging keeps film together, dry and identifiable without creating unnecessary bulk or pressure.
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Film can be mailed safely when rolls are dry, identified, contained and protected inside a rigid package.
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APS or Advanced Photo System film uses a sealed cartridge and is discontinued, but some exposed colour-negative rolls can still be developed.
Read articleBerlin Photo Studio Film Lab
C-41, ECN-2, B&W and E-6 development with transparent options and professional scans in Berlin.