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Workshops & Processes
Photography is not only the final image. It is also the hands, tools, questions and small decisions that make an image possible.

01
Developing by hand.
Film development is a sequence of preparation, chemistry, timing, movement, washing and cleaning. Much of the work is invisible once the negatives leave the lab, but every step shapes the final result.





02
Reading the negative.
A negative carries more information than a preview on a screen. Density, frame spacing, scratches, exposure and development marks are read under light before scanning and delivery.



03
Lifting the image.
The image layer of a Polaroid photograph is released in warm water, separated from its original support and transferred by hand. Small folds and movements become part of the final piece.


04
Developing without a darkroom.
Film rolls can be processed outside a traditional darkroom with daylight developing equipment. Participants first learn how to guide film onto the reels, prepare the tank, follow AGO through the beginning of the development process, and then control the chemistry and timing.




05
Printing with sunlight.
During Hannah Adam’s cyanotype workshop, participants arrange plants, photographs and transparent materials into compositions, expose them to ultraviolet light and let the characteristic blue image appear through washing and drying.



06
Learning together.
Workshops turn private knowledge into a shared table. Participants compare results, ask questions, test materials and understand photography by touching the process themselves.

