01
Select the stock
We choose materials for a distinctive look, useful speed or an unusual photographic possibility.
Prepared in Berlin · Made to be shot
FILM
MADE
HERE.
Small-batch film rolls prepared inside Berlin Photo Studio—from carefully selected bulk stock to a labelled cassette ready for your camera.
Inside the studio
Long rolls become personal stories.
We prepare film in-house because some of the most interesting photographic materials never arrive as ordinary retail rolls. By working from selected cinema, black-and-white and experimental bulk stocks, we can make those materials usable in a 35mm camera, release them in small batches and explain exactly how each one should be shot and developed.
The point is not to make every roll identical. It is to give photographers more choices, while keeping the information clear and the preparation close to the lab that will process the film.
Every film has its own character—and its own processing needs. The product page tells you the recommended ISO, development process and anything unusual to expect. New to film? Start with our 35mm film buying guide.
02
Prepare the roll
The film is loaded and measured in the controlled studio workspace using dedicated equipment.
03
Close & label
Each cassette is checked and labelled by hand with its speed and identifying information.
04
Shoot & develop
Follow the process shown on the product page, then bring or mail the roll back to our Berlin lab.
A cassette with more than one life
The roll comes back.
The cycle starts again.
Our in-house film project begins where an ordinary lab process often ends. After exposed rolls arrive at Berlin Photo Studio, we develop them, return or store the negatives according to the order, and separate the empty 35mm cassettes. Suitable metal cassettes are selected, cleaned and prepared for another use instead of immediately becoming waste.
Fresh, unexposed bulk film is then measured and loaded into those reusable cassettes. We design each roll around the film stock inside—its speed, lighting conditions, development process and photographic character—before it returns to the shelf for another photographer.
Exposed film reaches our lab
Customers bring or mail their finished rolls to Berlin Photo Studio for development and scanning.
The photographs are processed
We develop the film using the correct chemistry, scan it and handle the negatives according to the order.
Good cassettes are rescued
Empty metal cassettes are inspected. Suitable ones are kept, while damaged or unsuitable pieces are separated.
Fresh film goes inside
Selected bulk film is measured and loaded into the prepared cassette using dedicated equipment.
The label explains the stock
Each identity is designed around the film’s ISO, light, process and mood—not placed on the cassette at random.
A new photographer takes it out
The roll is sold, exposed and can return to our lab—allowing the cassette’s story to continue.
What sustainability means here: film photography still uses materials, chemistry and energy. Our contribution is practical: reuse suitable cassettes, work in small batches, reduce unnecessary packaging and keep useful materials circulating for longer.
Four ways into the collection
Choose by light,
mood or process.
Start with the conditions you expect to photograph in. Each card leads to the full film specifications before you buy.
Daylight colour
Berlin Photo Studio 250D
A versatile cinema-derived choice for daylight, portraits and everyday colour.
View film →
Tungsten colour
Berlin Photo Studio 500T
A faster cinema-derived stock for artificial light, night scenes and a cinematic colour response.
View film →
Black & white
Hardline 400
A flexible monochrome speed for street photography, changing light and expressive grain.
View film →
Bright summer light
Juicy Lemons 50
A slow summer roll for sun, saturated colour and deliberate shooting in bright conditions.
View film →Read the label
The process matters.
Not every film uses the same chemistry. Check the product title and description before buying, and tell your lab exactly what is inside the cassette. We offer the principal processes in-house and can help you choose.
Good to know
Before you load.
How many exposures are in a roll?
The exact length is stated on each product page; many of our 35mm rolls are prepared for 36 exposures. Camera loading can affect the final frame count slightly.
Will my camera read the ISO automatically?
DX coding varies between products. Check the product description and, when needed, set the recommended ISO manually on your camera.
How do I know which development to order?
The required or recommended process is shown in the product title or description. If you are unsure, contact us before shooting or developing the roll.
Can I send the exposed film from outside Berlin?
Yes. Our mail-in film development guide explains how to order, package and ship your film safely.
Your next roll starts here
Find the roll that fits your light—then let us develop what you make with it.
Prepared in small batches. Availability changes as stocks arrive and sell through.