DEVELOPED WITH
Send your film rolls to:
Emiliano Vittoriosi
Photo Studio Berlin
Nazarethkirchstrasse 41
13347, Berlin
Germany
info@photostudioberlin.com
+393341232636
All films are processed with controlled chemistry, consistent agitation, and monitored temperature to ensure reliable and repeatable results. For C41, ECN2 and E6 processes, we use JOBO CPP2 rotary processors to maintain precise temperature stability and even development.
Black & White
Black and white films are developed using carefully selected developers such as ADOX Atomal 49, Rodinal, HC-110, or D-76. Each roll is processed individually, with development time, dilution, and agitation adjusted according to the film, exposure index, and condition. Using manual inversion or AGO rotary agitation, the process remains fully flexible — enabling precise push and pull adjustments.
C-41 Color
Color negative films are processed using Fujifilm Fujihunt chemistry following the standard C-41 workflow. Development is carried out on JOBO CPP2 systems with strict temperature and timing control, ensuring consistent color and density. Push and pull processing is supported within controlled limits.
ECN-2 Motion Picture Film
Motion picture films are processed using Bellini ECN-2 chemistry, based on Kodak’s original formulation. The process includes remjet removal, development, stop bath, and fixing, all performed on JOBO CPP2 systems to ensure stable temperature and even results. Push and pull adjustments are available.
E-6 & Reversal
Slide films are processed using Bellini E-6 chemistry, following Kodak standard specifications. This is a 7-step reversal process carried out under strict temperature control on JOBO CPP2 processors. While the workflow is standardized, push and pull adjustments are available within technical limits.
D67 & BW Reversal
Black and white reversal films are processed using Foma reversal chemistry, following a multi-step process including first development, bleaching, clearing, re-exposure, second development, fixing, and washing. This process is carried out with controlled temperature and timing to achieve clean positives with balanced contrast. In addition, standard black and white negative films can also be processed as reversal (positive) upon request.
It's important to understand that the final scan quality depends not only on the scanning process but also on the condition of the negative. Underexposed or overexposed films will produce different results in terms of grain, detail, and shadow and highlight rendering.
Film age and storage conditions also play a significant role. Expired or poorly stored film can lead to color shifts, fogging, or loss of sensitivity. Additionally, repeated or strong X-ray exposure may introduce base fog and reduce overall image clarity.
After receiving the scans via Wetransfer we will ask you if you want to print any picture.
Prints and negatives are available for pick-up at our store.
If you’d like them shipped to you, please contact us—shipping fees apply.
In alternative you can select film shipping at checkout or add one film roll to your order to make sure to receive also the negatives with it.
DEVELOPED WITH
Our usual turnaround time is around 5–10 working days, depending on the film type and how busy the lab is.
Some processes, like C41 color film, can be faster. Others, like black and white, ECN-2, E6, APS, 110, 220, or special formats, may take a bit longer.
Think of it like cooking pasta by hand, not instant noodles. We want the roll to come out right.
We develop and scan many types of film, including:
35mm film
120 medium format film
C41 color negative film
Black and white film
ECN-2 cinema film
E6 slide film
Disposable cameras
110 pocket film
APS film
220 film
4x5 sheet film
Super 8 film
When in doubt, customers can simply bring the roll to the studio and we check it together.
We provide high-quality film scans suitable for sharing, archiving, printing, and editing.
Customers can usually choose between JPEG and TIFF, depending on what they need. JPEG is great for everyday use. TIFF is better if they want more flexibility for editing or professional work.
Simple version:
JPEG = Ready to use
TIFF = More room to work
Yes. Customers should always pick up their negatives.
Negatives are the original photographs. The scans are like a digital copy, but the negative is the real source. If you keep your negatives safe, you can scan them again in the future, print them, archive them, or rediscover them years later.
Film negatives can survive for decades when stored properly.
Shipping is calculated based on your location and the items in your order. You will always know the shipping price before you purchase.
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