C-41, ECN-2, B&W, E-6 or Scala
Different films need different chemical processes. The label on the film or box usually identifies it.
Film development is not one single product. The process, film format, scan file and handling choices build the final order. This page explains the logic; the live product selector shows the current price.
Develop only gives you processed film without new digital files. Develop + JPEG adds practical, ready-to-use scans. Develop + TIFF adds larger lossless files for a more demanding editing or archive workflow.
After that, choose the correct format and any development adjustment. Collection, return shipping and special handling sit around the lab service—not inside the chemistry itself.
Different films need different chemical processes. The label on the film or box usually identifies it.
The physical film and number of frames affect scanning and handling.
Development prepares the film; scanning creates the digital files.
Only add services you need, then review the live total before payment.
Your exposed film is chemically processed and returned as negatives or positive transparencies, depending on the process. No new scan files are included.
Development plus compressed digital files that are easy to download, share, select and print for most everyday uses.
Development plus lossless scan files intended for customers who want a larger working file, heavier editing or a more preservation-oriented master.
The file type does not change what the camera recorded. It changes the delivered scan file and how you can work with it. For resolution, archival scans and rescanning, use the Film Scanning Guide.
A conventional 35mm frame. Select this for a normal full-frame 35mm camera.
Each normal 35mm frame area is divided into two photographs. A roll can therefore produce roughly twice as many images to identify, scan and deliver. Development may remain the same while the scan option increases.
120, 110, panoramic 35mm and 4×5 appear only where the specific process supports them. Use the format listed on the product rather than choosing the nearest-looking option.
Compare the cassette, backing paper or sheet dimensions in the Film Formats Guide, or ask Berlin Photo Studio before ordering.
A push or pull request changes development from the standard time. Where the live product offers this option, selecting it adds the current adjustment charge. Tell us the exact instruction—such as +1 or −1—not only the ISO number.
Request it before processingCut film is easier to sleeve and collect; uncut film can suit customers who archive or scan full strips themselves. Cutting is not the same as scanning. State your preference when ordering and use the current product or shop instructions for any available handling charge.
Confirm before the roll is cutChoose local collection if you will pick up the negatives in Berlin. If the physical film must be sent back, return delivery is a separate logistics cost. Digital scan delivery does not automatically mean physical negative shipping.
Negatives require a return planYou pay to send the undeveloped film to Berlin Photo Studio. Any return shipment for the processed negatives is separate and depends on the delivery choice shown during the order. Use the mail-in instructions and checkout for the current cost.
No duplicated fixed shipping price




If the process is the part you cannot identify, use the Film Development Guide. Choosing the wrong chemistry is not a harmless price choice—it can produce the wrong processing route.
Bring the film to Berlin Photo Studio, confirm the process and options, and decide how you will collect the negatives. Local collection avoids a return-shipping charge.
Nazarethkirchstraße 41, 13347 Berlin-Wedding
Plan your visit →Place the order, protect and label the rolls, include the information that connects the parcel to your order, and use tracked shipping where appropriate. Outbound postage and negative return are separate parts of the journey.
Follow the packaging and mail-in steps →C-41, ECN-2, B&W, E-6 or Scala.
Standard 135, half-frame, panoramic, 120, 110 or sheet film only where offered.
Develop only, develop + JPEG, or develop + TIFF.
Specify push or pull only when required and available.
Do not assume digital delivery includes physical return.
The selected variant and delivery method are the current source of truth.
Because product options and delivery costs can change. The live product variant and checkout are the current source of truth; this guide explains why one selection differs from another.
No. Develop only means chemical processing without new JPEG or TIFF scan files.
Half-frame cameras place two smaller photographs in the area normally used by one standard 35mm frame. That creates many more individual images to handle and scan, even though the roll uses the same film width.
No. TIFF is a larger lossless working file. It does not correct exposure, focus, camera faults or missing detail. Choose it when the workflow benefits from the file format.
Not reliably. A development adjustment affects the whole roll and cannot recreate information the film never recorded. Read the Push & Pull Guide and provide the instruction before processing.
No. Scan delivery and physical negative delivery are separate. Choose collection or arrange the relevant return option, and observe the studio's negative-storage policy.
No. You arrange and pay for the parcel to reach the lab. Any return shipment is also a separate delivery choice.
Yes, if the processed negatives are still available and suitable for scanning. Do not use this as long-term storage: collect or arrange return of your negatives within the stated storage period.